Fun!įinally, depending on how much you are driving your amp, you could keep it clean, move the mic further away from the speaker, and start capturing more of the sound of your room. Try playing with the times and feedback amount of your delays. Reamping also gives you the ability to manually tweak pedal knobs and make dynamic parts that are really changing as the track plays. Try your lead vocal, the background vocals, keys, and drums (especially drum machines) and listen to how it sounds. You can also route any track’s output in your DAW to your reamp box and really start going berserk. You can add any (and all) pedals (even entire pedalboards) into the signal chain. You’re now re-amping! You can make new recordings each time you change amp settings or mic positions.įor even more craziness, check out Fig. When you hit playback, the DI track will play back through your amp, and you will be recording the amp. Place a microphone in front of your guitar amp, plug that into your interface, and record-enable that track. Now use your regular guitar cable and connect the output of your reamp box to the input of your amp. 1 and do the following: Plug the XLR end of the cable from your audio interface’s out into the input of your reamp box. Depending on your interface, you might need the TRS-to-male XLR cable previously mentioned. The second part involves routing the DI-recorded guitar track out of your DAW and into your reamp pedal. If you’re unsure how to do this, I recommend going online and reading my Dojo article mentioned above. The first part involves using a DI box to record the guitar directly into your DAW. Otherwise, you’re going to shell out more dinero for active reamp boxes, which isn’t really necessary, and I like the inherent lo-fi nature of this process. Problem solved, and you can drive your amp even harder. ![]() Some would argue that passive models loose signal strength, which is true, but how many boost/overdrive pedals do we guitarists have? At least one, right? Put one after the reamp box and before your amp. I like passive re-amp boxes because they don’t require external power and are easy to move around. To begin, you’re going to need a reamp box such as the Radial JCR Studio Reamper ($229 street) and most likely a TRS-to-male XLR cable (like the Hosa HSX-003, $11 street). Tighten up your belts, the Dojo is now open. ![]() If you have a DI box, dust it off! You’ll need it when I show you how to get more out of your DI-recorded guitar and bass tracks by reamping them into your pedals and amps to capture new perspectives and even add some new reverberant spaces. In my earlier column “ Why Guitarists Shouldn’t Diss DIs,” I mentioned the benefits of using a DI for creative recording. Welcome to another Dojo! This time I’m going to show you how to reamp your guitar and explore some creative ways you can re-amps other tracks as well (soft synths, vocals, drums, etc.).
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